12.8.13




Quassan T. Castro is a Journalist and Author. His journalistic pieces appear in the
following
magazines and newspapers:


Huffington Post 

Huff Post-Black Voices 

Jet Magazine (Online) (Celebrity Interviewer & Weekly Columnist)


Essence Magazine


Essence Magazine (Online)

IChicano 

Eurweb

Nea Today-National Education Association Publication


Black Enterprise Magazine (Online)


Heart and Soul Magazine  


BET (Black Entertainment Television)


New Citizens Press

Roland Martin Reports 



Castro work has published in several college literary anthologies including:
The Sundance Writer: A Rhetoric Handbook, Sundance Choice Composition and Structured Reading.

Castro is represented by Regina Brooks of the Serendipity Literary Agency,  as he prepares to publish his first novel. 

Serendipity Literary Agency 
305 Gates Avenue
Brooklyn, NY 11216 

Serendipity Literary Agency (Click)  


Education
Bloomfield College, Bachelor of Arts (English-Writing)
Fairleigh Dickinson University, Master of Fine Arts (Creative Writing)



Organizations 
Society of Professional Journalists (Member, Quassan Castro)
The New York Association of Black Journalists(Member, Quassan Castro)
NAACP  
National Association for the Advancement of Colored People(Member, Quassan Castro)

Contact
Quassan Castro
(973) 414-1146 (Business) 
E-mail: writerres2012@gmail.com


QUASSAN CASTRO WRITING CLIPS ARE BELOW.
PLEASE NOTE HE HAS ADDITIONAL WRITING CLIPS NOT LISTED,
WHICH CAN BE FURNISHED UPON REQUEST.
STRUCTURED READING PUBLICATION


Quassan's autobiographical essay appears in Structured Reading, a widely utilized college textbook published by Prentice Hall. Some of the additional writers included are: Alice Walker, Julius Lester, Williams Raspberry, Anne Dillard, Enid Nemy, Constance Holden and Roger Wilkins.






To My Young Black Brothers in the Struggle

Posted: 08/09/2013 12:16 pm


As I sit listening to Marvin Sapp's "Never Would've Made It," I think of how to find my words a home inside your psyche. I understand you come from a place of having your core picked into tiny pieces. A wounded psyche is what you carry when your core is picked. Folks picking on the way you speak, the music you vibe to and your style of clothes.

I am you, sewn from different threads, though born of the same cloth. I will not wave my hands in your face, pimping a position of condensation. When I speak, I speak neither from a position of authority nor from an acidic, careless tongue of judgment. My young black brother, I want you to know that even in your perceived imperfection, you are worthy of life, born with a unique purpose. You were not born to fail or carry feelings of inadequacy.

To be invisible is to not be seen. To not be seen is to not be recognized. In Ralph Ellison's book, Invisible Man, lack of recognition causes the narrator to experience a perpetual deep sense of invisibility. We have been invisible. Continual lack of recognition breeds anger, resentment and feelings of inadequacy. Your life is too valuable to stay buried in a barrel of disconnection with your greater purpose. Even in the face of adversity, you still must fight. Must wake up each morning and understand the greatness that you're born of.

Understand that you come from a legacy of greatness. Understand our story of ancestors whom built pyramids. Understand the legacy of Imhotep, Sojourner Truth, Frederick Douglass, Marcus Garvey, Dr. Martin Luther King Jr., Malcolm X and so many other great beings that were born of humbling circumstances yet fought for justice. Young black brother, you come from a legacy of intelligent fighters.

You are not the limited bandit whom your detractors paint as pants-sagging thugs. They are those detractors that claim to speak from a position of 'care and concern' yet are most likely speaking from a position of class ascension. Those are the detractors who've 'made it' and treat those who they believe are beneath them like filthy gum stuck on the bottom of their shoes. Their nose is in the air with permanently planted sticks up there hiney.

The detractor can very well be a discriminatory teacher or professor who can smell the scent of humble beginnings coming from one of such status and diss your presence. You must not give-up in the face of the class ascension mongrels. We can not afford to be broken. We've been broken for too long. Develop the courage to stand up and be counted for when uppity jokers make it in this world and become haughty egos, pimping judgment on the black folks who 'just can't seem to get it together'. Do not be fooled to think that those faces are white. We have some folks who share the same skin color that carry extreme class issues. They want no parts of the poor or uneducated.

Poverty or not, education is key. Education doesn't stop in the classroom. Get education to the highest level attainable. Discover the works of Langston Hughes, Richard Wright, Ivan Van Sertima, Ralph Ellison, Shakespeare, Robert Hayden, W.E.B. Du Bois, bell hooks, Angela Davis, Kevin Powell, Iyanla Vanzant, Ernest Hemingway, Chinua Achebe, James Baldwin, Nelson George, Walter Dean Myers, Melissa Harris-Perry, Zora Neale Hurston, Lucille Clifton. We cannot afford to allow our minds to suffer by not reading for critical consciousness. Request reading lists from mentors. My young black brother, I understand your struggle.

I understand hip-hop is one of the coping mechanisms for feeling invisible in society. Invisible status draws one to places where recognition of story and identity can be redeemed. Critics of youth's obsession with hip-hop do not wish to take the time to understand hip-hop music.

Your critics wonder why hip-hop has become so dominant in your generation though often fail to ask questions that lead to a discovery that is non-monolithic and is not favorable merely to the critics. They fail to realize hip-hop has been the outlet of expression, speaking youth issues in a broad spectrum. While I do not agree with the misogyny and homophobia, I cannot deny that hip-hop was the place in my youth where my story was spoken. My story and struggle, received some sort of recognition through hip-hop artist rapping about issues I encountered in my world. I do remember listening to Biggie, Tupac, Mos-Def, Common, Run DMC, Nas and Jay Z.

Your masculinity is not attached to your penis. Real men are responsible. Real men are an asset to themselves and community, not a liability. Real men cry. Real men do not associate power with violence against women. Real men seek solutions to problems rather than make excuses. Real men read for critical consciousness throughout an entire lifetime. Real men study. Real men write. Real men do not allow notions of masculinity and patriarchy to become the blood from which they beat. Real men seek out mentors and wise counsel. Possibly, I never would of made it, if it were not for mentors reaching out for my hands as I almost drowned while beating down the voices of opposition that could never love me totally in my uniqueness. You too will make it, if you view your life as of value.

My young black brother, make a commitment to rise to excellence. Define your purpose. Make a visualization board, post faces of all the people, writers, artists, books, and family members that inspire you. On your journey to fulfilling your purpose, should you forget the greatness from whence you come from, take out that board as a reminder to the inner fire that lays doormat in your soul. No obstacle is too great that you can't overcome, young black man move to action.

View blog as it appears via Huffington Post. Comments in response to the blog are also located via link.
http://www.huffingtonpost.com/black-voices/



MADE OF SHADE: Dr. bell hooks on Zimmerman Effect

Exclusive interview with respected author ...
By Quassan Castro

MADE OF SHADE: Dr. bell hooks on Zimmerman Effect


Not every day do you get to sit with intellectual, feminist, educator and social activist bell hooks.
If you do, it’s wise to fall silent and listen.

bell hooks has written and published over thirty books, including Ain’t I a Woman?: Black Women and Feminism; Yearning: Race, Gender, and Cultural Politics; Sisters of the Yam: Black Women and Self-recovery; Teaching to Transgress: Education As the Practice of Freedom; Rock My Soul: Black People and Self-esteem; We Real Cool: Black Men and Masculinity and many more works to date.  bell hooks was a Professor of African and African-American Studies and English at Yale University.  hooks was the Distinguished Lecturer of English Literature at City College of New York. She was also Associate Professor of Women’s Studies and American Literature at Oberlin College.
hooks has been ranked as one of the most influential American thinkers and writers of all time by Publisher’s Weekly and The Atlantic monthly.  In this week’s Made of Shade column, hooks joins me to discuss Trayvon Martin, Zimmerman, B37 Juror, the bell hooks Institute and the new Rolling Stone cover featuring the marathon bomber.

Quassan: I was sick to my stomach when I watched Zimmerman become a free man. We’ve had this sort of injustice take place in the past, yet on that particular day, from the pit of my stomach, I felt terribly ill. How did we arrive to this point where something so unjust could take place over and over again?

bell hooks: White supremacy has not only not changed its direction, it’s intensified as black people and other people of color have gained rights and have proved ourselves to be equal. In many ways the Zimmerman case is really a modern day lynching, it’s about racist white people reinforcing racialized power. The outcome sends a message to the world that global white supremacy is alive and well.

Quassan: What are some of the solutions to these injustices that keep arising in our community and around the world?

bell hooks: We can’t combat white supremacy unless we can teach people to love justice. You have to love justice more than your allegiance to your race, sexuality and gender. It is about justice. That’s why Dr. King was so vital because he used the transformative power of love as a force for justice.

Quassan: Wow! African American parents are mortified for the safety of their children as they leave the house into a world that has shown it devalues blackness but also a system exists that does not protect our beloved children. What should these parents say to their children?

bell hooks: First of all black children in this country have never been safe. I think it’s really important that we remember the four little black girls killed in Birmingham and realize that’s where the type of white supremacist, terrorist assault began. That killing sent a message to black people that our children are not safe. I think we have to be careful not to act like this is some kind of new world that’s been created but that this is the world we already existed in. I think we should honor the fact that people do amazing parenting of black children in the midst of white supremacist culture. Partially, it is by creating awareness and creating an activist mentally in children at a very early age. When we lived in the time of separate but [not] equal or coloreds only, black parents had to explain the reality to children who did not understand what was taking place. The work of parenting for justice, black parents have always done. Many white people have much to learn from progressive black people about how to parent for justice. I was just talking with a friend about a little black boy in Kentucky who was being told that the other kids didn’t want to play with him or touch him because he was black. When parents parent for justice, a child knows how to respond. The boy knew how to deal with the situation; he knew they were being ridiculous. That is what conscious parenting is all about.

Quassan: What would you say to Zimmerman if you were able to speak to him face to face?

bell hooks: That’s a difficult question because I believe that he’s such a hater that it’s impossible to speak to him through the wall of hate. Just think, if Zimmerman had never gotten out the car, Trayvon would be alive today. Trayvon was no threat to Zimmerman. A lot of hate had to be inside of Zimmerman, to get him out of the car, stalk Trayvon and execute him.  It’s impossible to answer that. Really we can only be similar to the Amish and ask for forgiveness of his sins.  Some black people might feel the urge to stalk Zimmerman and execute him. I think that’s a real shift in many people’s response to racialized aggression, it has to do with the feeling of powerlessness in the face of justice not prevailing.

Quassan:  Why should Stand your ground NOT exist?

bell hooks: Let’s go back to the co-murderers of Trayvon Martin because they are the white people in Tallahassee who are so obsessively supportive of stand your ground. It is that law that gives the license to kill and that encourages white people to become predators of people of color. We have to look even before stand your ground, white people have always used private property signs and trespassing signs as a way to kill people who are not like themselves. Florida has been the site of this madness, like the Asian who was just looking for directions and was blown away by the white man who answered his door. It was a no trespassing sign, so he was not seen as a murderer. Everybody is saying the decision for Zimmerman was all about the law and we are a country of the law. Well the laws in this country have always been anti-black people and people of color. It’s yet another white supremacist attempt at mind distortion like suddenly we have a pure law on behalf of justice when everyone knows that’s not so.

Quassan; Juror B37 said that Travon Martin played a role in his death to Anderson Cooper during an exclusive interview. How do you respond to her statement?

bell hooks: You know what’s amazing about Trayvon Martin is that he was behaving like any teenager in our society would behave in a normal teenage way. To say that he played a role in his death, is to not acknowledge the amazing fact that despite imperialist white supremacist capitalist patriarchy, Trayvon was just being a regular teenager causing harm to no-one. People who want to believe that he played a role in his death are the same people that want to believe that black children are mini-adults. As if they are threats to the power of whiteness.

Quassan: What is the bell hooks Institute all about?

bell hooks: It’s all about bringing education for critical consciousness into the lives of ordinary people. The institute first hosted Gloria Steinem. Gloria traveled to Kentucky and spent the afternoon with women of Kentucky who would never have the chance to talk with her. The Institute mixes academic intellectual people with people who are also critical thinkers and live ordinary lives. We had Cornel West visit the Institute and it was just amazing and fabulous to have a mixture of class and race of people, able to talk to him openly. Our last guest was Rick Lowe from Texas who is responsible for project row houses. The institute is an amazing attempt to have education for critical consciousness be something that touches race, class and gender. It’s about sharing knowledge outside of institutions, for everyday people that might not attend universities.

Quassan: What direction will the bell hooks Institute go in the future?

bell hooks: Right now it’s kind of a center that hosts events. But I will house bell hooks papers and people who want to do work with my writing, primary text or my work that is not published, will come and do that work. They will be able to see bell hooks development as a critical thinker and intellectual. I had a hard time coming to think about a bell hooks Institute because I’ve mostly been pretty modest in my career. The forming of the Institute has so much to do with the way in which critical thinkers and writers are being forgotten. Some students come into my class and they don’t know who Audre Lorde is or Toni Cade Bambara. The only black writer they know is Alice Walker. It’s important for us to do the work of keeping our legacies and work alive in the public imagination.

Quassan:  Some people are outraged about the cover of Rolling Stone Magazine where the marathon bomber is presented as this sort of cool young guy in a rock star type of presentation. The title reads, “Jahar’s World.” His long hair is blowing and appears fashionably tweaked. He literally looks like some type of pop icon. Thoughts on the cover?

bell hooks: This type of cover is meant to create a recognition that makes so many criminalized people into celebrities. So he’s already being celebritized so that he can become a fashion statement or style person. It’s what happens in our culture then the victims become invisible. After, we cannot call up the victims’ looks or identity, that’s part of this insanity in our culture of violence. We perpetuate and normalize violence.

Quassan Castro is a news and entertainment journalist. Follow him on Twitter @Quassan.

View article as it appears via Jet Magazine.
http://jetmag.com/life/made-of-shade/bell-hooks/


MADE OF SHADE: Maury Povich in Black and White

The midday meme examined... ...
By Quassan Castro

MADE OF SHADE: Maury Povich in Black and White

Quantcast

Millions of viewers tune in daily to watch the Maury Povich Circus Show. White women appear on the show from time to time. They are the ones whom many would refer to as the ‘poor white’ folks of society.  If you look with a critical lens, the White women that appear on the show are mainly portrayed as women that are victims of circumstance. Because of the victim’s position and the circumstance at hand, these White women’s stories are told in the most sympathetic and bias ways. Something terrible happened and as a result, these White women carelessly got pregnant without knowing who the child’s father is. Almost as if an invisible male suitor robbed them of their ‘purity’ and in the morning, they awakened pregnant. At times, Maury will intervene not allowing the White women to make total asses of themselves.

Black women chosen to appear on the show, carry stories of deceit, rage and sexual shame. They are displayed as angry women that love sex without responsibility. The aim appears to never allow these women to portray themselves as pure victims of circumstance. No, they are seen by many as mean, ghetto bitches that have sex and ask questions later. These Black/Hispanic women are not seen as victims of circumstances. They are seen as innately sexual, deceitful and full of rage. Maury will most often allow volatile conversations to continue between the Black/Hispanic women and their potential child’s father. The ratings fly high when violence and rage are part of the discussion. Maury’s fake compassionate poker face is a product of good acting.

The stereotype of Sapphire, I suspect, is what prompts the show to invite certain types of Black women to appear. Sapphire is the stereotype of Black women as hands on hips, overbearing, hard to get along with, treacherous, loud mouths that put folks down when she ‘s feeling quite angry and bitchy. The stereotype of Black women as Jezebel is another image alive and rampant on the Maury Povich Show. Jezebel is the stereotype of Black women as sexual and seductive tempters, luring the penis at all costs.

Keep in mind the show possibly receives millions of inquires from folks wanting to appear and tell their story. From those large quantities of letters a myriad of diverse faces exist in the pile. The show loves Sapphire and Jezebel. It’s what makes for good television. It also forces us to get comfortable with the stereotypes rather than demand other, real representations of the black female.

View article as it appears via Jet Magazine.
http://jetmag.com/life/made-of-shade/made-of-shade-the-maury-povich-show-in-black-and-white/

Face It: Trayvon and Others Killed for Nothing

Beyond Trayvon: Other Black males who died for their skin shade ...
By Quassan Castro

Face It: Trayvon and Others Killed for Nothing
Quantcast
NOTE: This article is published with a picture gallery of others whom were killed for no reason along with my research info provided. Click the link below to read the article in its entirety. 

(Click link) 
http://jetmag.com/life/the-black-man-trayvon-and-others-killed/


It’s a hard truth to face, but as a Black male,  I realize that I could very well be innocent of any type of criminal wrongdoing and yet be viciously beaten or shot to death.

The racist stereotype of the Black male as a criminal, violent, predatory thief is alive and well in the minds of folks. We are inundated with these tropes time and time again in the mass media, the outlet where most learn about other races they don’t encounter on a daily basis.
And what they are seeing is cause for mourning in and of itself.

Images of the violent Black male bombard us, and are seemingly trumping equally accessible portraits of the Black male who’s at Morehouse College with a 4.0, the brilliant young Black man who invented a new surgical procedure, the Black male who goes to work every day and gives to his family and church and the Black male who is respectful to himself and community. Add to that a prevalence in so-called Black-on-Black crime and the idea set forth is that the life of the Black male is worthless and he is to be feared and taken out cowboy style.

Even when the Black male has demonstrated you have no reason to feel threatened, bullets abound first and questions come later. Those fictional images have clearly reinforced the false in the minds of the paranoid and prejudiced. Should jurors to a case, such as the George Zimmerman trial, arrive with racist stereotypes looming, it’s questionable if in their decision-making is tainted. Case and point: George Zimmerman, whom many in our community feel was racially profiling Trayvon Martin, has walked free, leaving the slain teen’s supporters grasping for answers and actionable steps to prevent a future tragedy.

How many more families have to bury loved ones before change comes about?  Repentance has fallen short.

Let us take a look into some senseless shootings and beatings of black boys and men. As you read, think about how those racist stereotypes are still alive and working.
July 2013

Studio Time with…Deborah Cox

Canada songbird spills on new album ...
By Quassan Castro

Studio Time with…Deborah Cox


Deborah Cox is no one-dimensional singer. she’s a mom, a lover of family, an eclectic gal and human rights advocate. Her grand motif vocal range is electrifying. She has traveled the world as both singer and actor; stacked up six top 20 Billboard R&B singles, and registered eleven #1 hits on Billboard’s Hot Dance Club Play chart.

And who can forget Cox’s moving performance as the lead in Aida?

Cox is currently in the studio recording her seventh studio album, not yet titled. It’s a piece of work she describes as, “melody driven and soulful. ”We caught up with the songbird during a break and she shares her world with JETmag.com in a candid interview where she talks about the doors opened for her, and whether she’s ever been accused of purposely “out-singing” a peer onstage. We even get all up in her closet. Check it out below:

At the Mcdonald’s 365 Black Awards you recently sang a tribute to Gladys Knight with Angie Stone and Yolanda Adams. Gladys Knight fought a hard battle, so folks could take her seriously as a Black woman singer coming into stardom when racism was at its highest point. Have her struggles then made it easier for you as a singer today?   

COX: I absolutely believe Gladys made it easier for my peers and myself. It’s important to pay homage and recognize the struggles and adversities that artists before us endured. I have not had to deal with what she has had to deal with, thank God. Gladys made it easier for me because I’ve been able to make moves musically in a shorter time than it might have taken artists back in the day. Chaka Khan and Tina Turner both endured the same type of struggles as Gladys. Many opportunities come to me as a result of these women fighting to be heard and taken serious as Black women singers.

Back in the day Patti Labelle was often accused by other singers of upstaging their performance during tributes or recordings because of her strong pipes. You have powerful vocals! Have you ever been accused of trying to out-sing another singer?

COX: I’ve never been accused of out-singing anyone to my face. I’m a team player when it comes to singing with other singers. I really respect the other performers that I’m on stage with whether it’s Yolanda Adams, Angie Stone or any other singer. I have respect, admiration and camaraderie for other artists and Black women that are in this game.

You recently joined Cher for an exclusive performance during a Gay Pride Week in New York City. Why do you appeal so much to the gay community? 

COX: The gay community embraced me very early in my career. The LGBT community often loves women with big voices. I address bullying and issues with not fitting in, those are issues they can relate to. Back in the day, I might have had to perform in some secret location because everything was so taboo. Cher and I both had a celebration! We’re for human rights!

Would you support an openly gay son or daughter in a gay marriage?
COX: Oh absolutely! For me, it’s always been about love. It’s never been about judgment. Our society has to come to terms with the fact that people are people, love is love and we have to accept each other just the way we are. We should all be respected for who we are and what we bring to the world.

You wore that Roberto Cavalli citronelle-print Dress really well at the opening night party for A Trip To Bountiful. Other designers who tickle your fancy?

COX: I love Marc Bouwer. His dramatic pieces for the stage are beautiful. I love Dolce and Gabbana. I love Donna Karan. It’s always amazing to pull out a Cavalli print. I’m a big lover of print. I tend to flock to designers who I can just go into the showroom and put the outfit on without worrying about any alterations. Cavalli is always number one.

If you contemplated approaching some artists to do a collaboration on the seventh studio album you’re currently working on, which artists would you approach?

COX: The song would have to be a duet. I like Gladys Knight, Stevie Wonder, and Charlie Wilson. I would love to work with Prince! And you know, I’ve always enjoyed Jazmine Sullivan’s music.

Jazmine Sullivan is a great vocalist, but she doesn’t receive the shine she deserves. 
COX: I know.


You always bring surprises when new music from you arrives. Our JET readers want to know what is the vibe on this new seventh studio album you’re recording? 

COX: A club component will be on the CD, though this project will be very melody driven and soulful. I’m still putting together the songs as we speak. It usually shapes itself by the sixth song. That’s all I can share right now. [Giggles]

Quassan Castro is a news and entertainment journalist. Follow him on Twitter @Quassan.

View article as it appears via Jet Magazine.
http://jetmag.com/entertainment/in-the-studio-with-deborah-cox/ 

Celebrities Stand Up Against Gun Violence


   
Celebrities Stand Up Against Gun Violence
i
3 Votes
Quantcast

By// Quassan Castro

Every week, it seems gun violence is in the headlines.  As a matter of fact in Chicago, where JET is headquartered, there was a reported 15 shootings with three people killed in just the 24 hours leading up to the July 4th holiday.

But some celebrities are stepping up to put a stop to this epidemic.  Rapper-turned-reggae artist Snoop Lion (aka Snoop Dogg), says he’s an opponent of gun violence despite his past lyrics and activities growing up in Long Beach. Rapper T.I. also takes a pledge not to influence gun usage, particularly when high numbers of homicides in America are at extreme highs.
According to a National Vital Statistics report, in 2011 alone, over 30, 000 people died in America due to gun violence.

The two rappers and Congresswoman Maxine Waters led a anti-gun violence panel discussion on June 29, during the BET Experience in Los Angeles, CA. Dr. Rob “Biko” Baker, Executive Director of the League of Young Voters Education Fund, moderated the diverse panel. One aspect of the panel discussion spoke about youth cultures obsession with guns.

Over 1, 000 charged listeners were in attendance in support of the ‘no gun violence’ movement. Tatyana Ali, Craig Wayans and Lisa Leslie, retired WNBA player came out to support the movement. 
View article as it appears via Jet Magazine.
http://jetmag.com/entertainment/celebrities-stand-up-against-gun-violence/

2.7.13

JET



Made of Shade: Bill Duke’s ‘Dark Girls’ is A Necessary Conversation

June 27, 2013 
 
Made of Shade: Bill Duke’s ‘Dark Girls’ is A  Necessary Conversation
By// Quassan Castro

Dark Girls premiered on the OWN network earlier this week, featuring the narratives of women wounded by the effects of colorism, and it’s about time the taboo conversation was brought to a mainstream platform. In the superb documentary, one of the most haunting accounts of colorism was a woman that recalls her mother praising her because of her light skin while shaming the existence of her dark skinned daughter. Of her dark skin daughter, the colorism-affected mother says, “Could you imagine if she had any lightness in her skin at all? She’d be gorgeous.”

Colorism is still something that a lot of African Americans try hide but I’m glad that Dark Girls brought the issue to the forefront. However, for some, the point of the film was missed, which became evident with the negative backlash that included people taking sides on Twitter with hashtags like, #TeamLightSkin and #TeamDarksin in something similar to the digital equivalent of the infamous scene in School Daze (from more than twenty years ago) that pit the “jiggaboos” and the “wannabes” against each other.

Unfortunately, colorism goes back to slavery where light skin slaves were often given favorable treatment over dark skin slaves. Slaves began to internalize this system of separation and eventually resentment lead to the chasm that still exists in the Black community today.

Over the course of our history we have endured ignorance like the paper bag test,  where if your hand was darker than the paper bag, you were considered too dark, and in some cases excluded from Black upper class social organizations. We had replaced the slave owners with our own oppression due to the residual psychological trauma of slavery being deeply ingrained in our psyches and also perpetuated by media stereotypes.

When representations of beauty do not mirror all skin complexions, it’s no wonder why the narratives in Dark Girls reflected self-hatred. Since women are encouraged to be beautiful and held to insular standards, it’s no wonder why issues of colorism as it relates to Black men never become the forefront of conversations. Women are made to be the face of colorism but although Black men’s struggles with self-hate aren’t much discussed, we are not exempt, which was evidenced in the documentary where you hear Black men admitting to excluding women of a certain skin color for ignorant reasons like “Dark skin women have attitudes,” or “I want light babies.”

In some homes of friends I can recall light skin black males being encouraged to pursue highest levels of academic achievement, while darker skin siblings were encouraged to pursue athletics.  One dark skin male associate spoke openly about how in vicious fights with his lighter skin siblings, they would almost always use his skin tone as a basis of shaming. We cried together in private as we spoke of ways in which we could bond in solidarity void of colorism. However, I worried that as a light skin Black male, I might soon be looked upon as the enemy by my psychologically wounded friend.

As I speak, I speak to you not in the language of the oppressor but as your brother and comrade. Let us go back to the “Black is beautiful” movement that took place over 50 years ago in part as resistance to the dominant culture’s limited ideas of beauty. Those rigid standards of beauty undermines our capacity to be self-loving and loving towards each other but it’s time we find validation in our the diverse but unique beauty whether we’re dark, light, have big lips or whatever.
We have perpetuated this problem far too long and it’s time to embrace positive changes in how we think. I want to live in a world where my one-year-old niece does not have to battle sexism, racism and colorism. We must go back to chanting “Black is beautiful,” for the sake of every color in our rainbow.

Quassan Castro is a news and entertainment journalist.

Follow him on Twitter @Quassan.

View blog...Click link. 

JET

 Made of Shade: Paula Deen is a Racist Clown

June 21, 2013 

Made of Shade: Paula Deen is a Racist Clown

 By// Quassan Castro

Dear Paula Deen,

While being questioned in a discrimination lawsuit, you admitted to using racial slurs in the past, particularly the N word. You insisted that your usage of racial slurs does not deem you prejudice or a racist. Paula, now which over baked hard buttered roll biscuit fell on your head? If you truly believe that using racial slurs do not make you prejudice or a racist then at the very least, can we agree that you’re a moron?

You admitted using racial slurs when speaking about Black employees at your restaurant. The same Black employees that probably receive minimum wage or very little salaries yet you plaster your face and name on the food they most certainly cook. And we’re pretty sure you get tips and tricks of the trade from them while your pockets get fatter as you travel the world doing the Macarena with Bubba.

Your greed consciousness is sickening; though not sicker than the way you insult African American and Latino folks with your denial of being prejudice or a racist. Paula, think of the legions of Black folks that tune into your show past and present, and those who have patronized your restaurant or other products in your brand. These are the same people you’ve insulted with the N word just as you have some of your employees. In my figment of imagination, I see you laughing at us while counting mucho dead presidents.

You’re trying to downplay you’re ignorance but the sweet old lady jig is up. You’re exposed. Stop insulting our intelligence. If you’re going to woman-up, go full throttle without further insulting us by making us believe you love dark faces. Paula, the Black community helps you to continue to grow your empire but hopefully that stops from now on. I also hope that your show(s) get canned. Any station or network run by people with sense won’t stand for a southern belle racist representing their brand.

Though I never did take to your over usage of sugar, butter, tired mimicking of dishes prepared in a lot of the homes of the folks you despise, I’ve completely canceled you out of my mind. I will continue to support Patrick and Gina Neely. I will continue to support Barefoot Contessa (hopefully she doesn’t do anything as stupid). I will continue to support Marcus Samuelsson. I can’t rock with you Paula. Soul searching is what you need to do. It’s what we all do when we want to arrive at answers to life’s most challenging challenges. Paula, the next time you think about speaking, DON’T!

Quassan Castro is a news and entertainment journalist.

Follow him on Twitter @Quassan.

View blog...Click link. 
http://jetmag.com/blogs/made-of-shade-paula-deen-is-chef-racist-clown/

JET

Made of Shade: Weekly Reflection on Pop Culture

June 14, 2013

StevieJosInsert
By// Quassan Castro 

A lot of things perturbed me this week but the two things I decided to focus on this week are the wayward thinking of  Love and Hip Hop: Atlanta’s Stevie J and Joseline, as well as the limited perceptions folk carry about young Black males.

Love and Hip Hop: Atlanta
“Bitch, your a** and t***ies are fake. I was going to give you a contract,” said Stevie J to his mistress jump off girlfriend Joseline.

Note to Stevie J: Stevie J, the same a** and t***ies you deem as fake in a tired effort to shame Joseline were the same a** and t***ies that caused you to deceive your long time girlfriend (now ex-girlfriend) Mimi, and possibly the many other women you were probably playing like a yo-yo. The power of the p causes many weak willed men to step out of their relationships due to lack of self-control. But for you, Stevie, issue remains on your deep professions of love for women followed by your deep hatred for them at the same time. Let go of your misogyny and pain your mother caused you so you can heal.

Note to Joseline: You are one of my favorites on Love and Hip Hop: Atlanta, and not for reasons every other male professes to love you. I haven’t figured out for the life of me why I like you, but I do. It’s often disturbing to watch you humiliate yourself every week, at the hands sneaky Sleazy J. I say this with love. You claim to be a bad chick, yet have the self-worth and self-esteem of an undeveloped tween girl. Real bad chicks are able to exude confidence and strength that invites self-respect first then respect from others. I gather the tolerance from Stevie J’s disrespect is to garner a contract. Really? The value of a contract should never surpass the value of your self-worth. No contract is worth having your name and reputation picked apart by someone that clearly will never be faithful to any woman. I think you’re talented enough to make moves without Stevie J as clearly, he really doesn’t seem enthused about launching your career. Powerful men like Stevie J use contracts as a way to get p**** and control p****. Build your worth on the inside. Look at yourself in the mirror and see the beauty that goes so much deeper than a contract.

Travon Martin and Perceptions of Young Black Men 
As a Black man, I cringe each time I hear adults tell young Black men to appear non-threatening in a society as they go about there business of being themselves. “Now don’t offend white folks or any other folk that think you’re a dangerous criminal. You don’t want to be hung or shot, now do you?” It’s the message Black parents told children during times of segregation even slavery. Today as it stands, the so-called threatening behavior is often made synonymous with a style of dress or a particular attitude.

In the wake of the Travon Martin tragedy, and Jordan Russell Davis–and the list goes on–young Black males are being told across the world to not wear sweatshirts with hoods attached in the face of unenlightened folks that see the stereotype every single Black male as dangerous. Have we gotten to a point where our children can’t even dress a particular style without being looked upon with limited lens?

Telling young Black men to appear non-threatening simply because of a style of dress that is very universal for casual wear, actually positions them to assume a position of inferiority. We need to challenge the thinking of society and those that remain unenlightened about who are young black men are. They are not criminals. They are achievers. They are our sons. They are so much more than what they wear or the type of music they listen to. Stop making these boys fearful, as they become men in society or we will raise a bunch of fearful men.  It’s easy to impart the “be a good negro as you go about your day-so you won’t be hung or shot” speech but more beneficial is it to speak to the group that still hold these limited ideas of who are young men are so when they go out, they don’t have to feel inferior to groups that carry narrow lens.

Quassan Castro is a news and entertainment journalist.

Follow him on twitter: @Quassan.

View blog...click link. 
http://jetmag.com/blogs/made-of-shade-a-weekly-reflect-on-pop-culture/

JET

Joe Budden Gets Candid About Life, Love 

June 7, 2013 

BuddenInsert
By// Quassan Castro

Even before Love & Hip Hop: New York, Joe Budden had a reputation for being blunt. But on the show he took honesty to new heights. The rapper-turned-reality-star had his fair share of emotional anxiety, a relationship love triangle and even revealed that he has struggled with drugs.

However, despite Budden’s emotional breakdowns and confessions of substance abuse, he says that there’s still some light shining on his life. In a recent interview with JETmag.com, the Jersey City, NJ native talks openly about his future with reality television, confirms if he is at odds with Consequence and Raekwon, talks new music, and also reveals his relationship status with on-off-again girlfriend, Tahiry.

What can we expect for next season of Love and Hip-Hop: New York

You can continue to expect honesty from me on the show.

Do you see yourself in the reality television game for much longer?

The opportunity to appear on Love and Hip Hop presented itself and joining made sense at the time. It was a new experience. Love and Hip Hop is a success. To be in the reality game long term, the opportunity would have to make sense. I’m a musician.

Any new music?

Oh yeah! I’m currently working on the Slaughterhouse album and a follow-up project to No Love Lost.

You talk openly about your struggles with drug addiction and your usage of Mollies. How did you become a drug user at the age of 12? You were a just a kid! 

You’re a kid. You’re curious and you end up experimenting with different things. I tried to gain some knowledge of different drugs and things happened.

At one point in your career, your camp literary had to micromanage you in an attempt to keep you from engaging in reckless behavior. Have you transcended from that dark place? 

Those issues are no longer a struggle for me. I have good people around me now. I have a great support group that consists of people that love me. You have to surround yourself with people that help you get where you need to be, like family.

You spoke about wanting to fight Consequence each time you saw him after he initiated a fight with you. Are you still at odds with Consequence?

No I am not at odds with anyone at all. I’m at peace with everyone. The fight happened, it came and went, it was dealt with. Him and me aren’t in a situation where we cross paths on a regular basis.  It is what it is.

Raekwon spoke about you in an interview, he says when he sees you he wouldn’t attack you but calmly ask you for clarification, on any issue you might have with him. Let’s clear this up.  What issues do you have with Raekwon as of today?

Let’s be clear, as of today, I have absolutely no issue with anyone at all. Joe Budden has no problems with anyone!

On the show, it seems you basically snub Kaylin to be in the company of Tahiry throughout the prior season. It was no surprise to me when you and Tahiry went for a cozy get-a-way. Are you recommitted to Tahiry in a relationship right now?

Yes we’re in a committed relationship.

Outside of music, what are you working on?

I’m working with a technology upstart called gig-it, which allows me to have more interaction with my fans and expand my audience. I have a partnership with the apparel line By Any Means. The line is about getting your dreams out by any means.

View article...click link.
http://jetmag.com/entertainment/joe-budden-gets-candid-about-life-love/

JET

Macy Gray Celebrates 14 Year Debut Anniversary

June 19, 2013 

MacyInsert

By// Quassan Castro

Macy Gray first imprinted pop culture 14 years ago. Listeners had a hard time forgetting her signature raspy voice that’s at the same time soft and smooth. The uniqueness of Macy Gray’s range often draws comparison to Billie Holiday but her debut album, On How Life Is, established that a new musical badass was unleashed. You remember the classic single “I Ty,” right?. The song was played a zillion times on radio and seen on video equally as much. Together, On How Life Is and the single “I Try” sold more than 25 million units. Gray celebrated the 14-year anniversary of her first-born CD child with a special engagement tour.

Here, we chat with Macy Gray about her special anniversary tour, Aretha Franklin’s interesting views on touring and mothering and the moves she’s making with Lee Daniels and Nicole Kidman.

In celebration of the anniversary of your debut On How Life Is, you had an amazing tour lined up. How did fans respond to this celebration of what some deem as a classic CD?  

I completed my first show in DC. The vibe was like a big party. It was wild! Fans danced. I was surprised people remembered all of the songs from the album. Initially, I was nervous, I didn’t know if the shows would bore people.

Not long ago Aretha Franklin said in an interview to Kim Kardashian that babies belong at home not on tour. Did you ever take your sons on tour with you as infants?  

Yes, my children went everywhere with me. When babies are first born you don’t really trust them with just anybody. My kids have been all over the world. They still go out on tour with me sometimes, but now as teenagers they want space.  Touring with my sons as babies was a good thing. I don’t know what she meant by that but I don’t have a problem with it.

Musically what are you working on? 

I have a new CD coming out this year. We don’t have the date yet, but it’s coming!

Congrats on your major role alongside Nicole Kidman and John Cusack for the movie adaptation of Peter Dexter’s The Paperboy. What’s the premise of the film? 

I play a maid name Anita. The movie takes place in the 60s in the South. It’s a really intriguing murder mystery.  I narrate the story, as well. Nicole Kidman and John Cusak are some of the greats, I work with on this Lee Daniels masterpiece.

Nicole Kidman, that’s major! Is she a social status snob like Reese Whitherspoon?

[Chuckles] No she’s not. She’s really sweet. I like her a lot.

Not many people know you studied screen writing. Any screen writing projects underway for you currently?

I just finished a screenplay with a partner of mine. We’re getting the script tight; you’ll hear about it soon.

Parting words?

Yes, I really appreciate the love and support shown from JET magazine and JET magazine online.
Quassan Castro is a news and entertainment journalist.

5.6.13

JET

J. Cole on ‘Born Sinner,’ Alleged Jay-Z Beef, More

By// Quassan Castro
June 4, 2013
Quantcast

JColeInsert
Photo Via JColeMusic.com

J. Cole has plans to build an empire of riches, a place that transcends the walls of hip-hop similar to that of his idol Shawn “Jay-Z” Carter.  And you know what? He just might succeed.
He fed us for free through his widely distributed mix-tapes before the number one debut Cole World: The Sideline Story dropped, in 2011, but now J. Cole is on his grown man street elegance with the release of his second album Born Sinner.

However, success hasn’t come easy for Cole because the attention he garnered went behind just music.  The public questioned his racial identity, rumors of he and Jay-Z beefing ran rampant in the blogosphere, there were also allegations of a sex-tape featuring he and pop princess Rihanna–the list goes on, but one thing no one can break is this young man’s spirit to triumph over adversity. Call him cocky, crazy or confident but he has plans to release Born Sinner on June 18th, the same day Kanye West is slated to drop his album Yeezus. 

In an interview with JETmag.com, J. Cole talks about Born Sinner, his brave move to compete with Kanye West, which R&B stars music he’d listen to during lovemaking and much more.


Power Trip featuring Miguel is most definitely a winner! What type of vibe were you going for on your sophomore album?

I don’t think I was going for a specific vibe. I guess some artists start albums and they know what they want to go for. I flush out all of my ideas and let the vibe take place on its own.  On Born Sinner the vibe is slow one second and the next it’s up-tempo and upbeat. It’s a really interesting style of music.

Born Sinner was ranked several times as the most anticipated album of 2013. Is there any pressure towards you to appease a very critical hip-hop audience?

I don’t think I dealt with that type of pressure for this album. I have self-pressure. I have higher expectations for myself than anyone else can ever have for me. I can be my own worst critic. I think I exceeded my expectations on Born Sinner. It’s a good feeling!

Which song is jumping at you as a potential second single?

“Crooked Smile featuring TLC. It’s a classic anthem for people that deal with issues with themselves and fight through it. I produced it with my man Elite.

You and Kanye are slated to drop your CD’s on the same day. I understand that decision was made as a result of you wanting to show Kanye you can kick his a** competitively?

[Laughs] I didn’t word it like that. All I know is my album is something I’m super duper proud of.  I’m confident enough to move my release date to the same day of someone I truly respect and am a big fan of. I don’t know what [Kanye] has but I know what I got. I’m competitive by nature. I can’t control the sales but I can control the music.


People think just because they don’t see Jay-Z in your music videos or at your hip like they might see Wayne with some of his artists or Diddy with his artists, that you and Jay have beef. Even though no one expects the owner of Atlantic Records to dance with Trey Songz in his videos. Elaborate on your relationship with Jay-Z.

I heard the rumor of us beefing. It’s based on nothing, we have a great relationship. I respect and idolize that dude. I one day want to be in the same position. It was a time when he was in all of the Roc-A-Fella artist videos. He’s older now and has different priorities. Jay is a businessman. He signed me, that’s enough. I respect that Jay let’s me do what I want to do.

In a friendly rap battle between Wiz Khalifa verses Kendrick Lamar, who do you think would win lyrically?

Kendrick Lamar in a battle. I don’t know though Wiz might have some funny lines cause he gets high all the time. I pick Kendrick though.

If you had 3 CDs Trey Songz, Miguel and Chris Brown, which artist would youplay first during intense lovemaking?

Awwww man! Miguel first. If I had a second pick, it would be Trey Songz. That was a hard question.

Who’s the most beautiful out of the two Nicki Minaj or Mariah Carey?

Wooo! Mariah Carey was one of the biggest crushes of my life when she was younger. I use to pray that Mariah Carey had a daughter my age so I could just marry her and run away. [Laughs] I use to have dreams about being with Mariah! That’s a tough question!  You trying to get me in trouble! (Pauses) Nicki Minaj is the most beautiful.

Quassan Castro is a news and entertainment journalist. 

 Click link below to view article as published in Jet Magazine.
http://jetmag.com/entertainment/j-cole-interview/ 

17.5.13


Summer Fashion With Celebrity Stylist Rosie Philidor

May 22, 2013 

 By// Quassan Castro 

Rosieinsert

Rosie Philidor’s styling game is flawless. Some stylists enter the world of fashion and glitz, but are not able to keep reinventing significant styles. Philidor has held her stylista crown for several years now. The Haitian born styling maverick has worked with Ne-yo, Nas, Jeezy, T.I., Jay Z, Ciara, Swizz Beatz, Meek Mill and famed actor Idris Elba. At any given time you might find Philidor perfecting swags at the MTV Music Award or taking flight to LA to appear on the red carpet of the posh Golden Globes.
Quantcast

Jet Magazine online recently caught up with Philidor for some exclusive fashion tips for the summer.

What ‘s hot in fashion for the ladies for summer 2013?

Philidor: The trends for spring and summer 2013 are fun vibrant prints, black and white, monochrome tones (wearing a bold solid color from head to toe) and leather fit for warm weather. Designers like Dolce & Gabbana, Marc Jacobs, Gucci, and Alexander Wang are a testament of these trends. You can find less expensive alternatives at boutiques such as H&M, Zara and Top Shop.

What’s hot in fashion for the men this summer?

Philidor: Leather details and accents, pops of color, camouflage, cargos, the double-breasted jacket and metallic tones. There’s so much to play with! Menswear is becoming as fun as women’s wear!

Bow ties were fashionable in the fall, are they in or out for the summer?

Philidor: Bow ties are a great timeless accessory that’s been trending. You can wear bow ties all year around. Off course the texture and prints will change with the seasons. It’s a great accessory to spruce up your attire!

From where do you draw your styling inspiration?

Philidor: I draw my styling inspiration from various people and places like the runway collections to street fashion and past eras of fashion from the 20′s to 80′s.

What separates your work from that of other stylists?

Philidor: I think most stylists have their own signature. For me I would say that tailoring and timeless classic styling is what I love the most, clean lines and a custom fit. I want people to see my work many years from now and feel it’s current and not dated.

Share something we might not know about one of your celebrity clients?

Philidor: Idris is extremely humble and down to earth. When I share with him how much people love him as an actor, he’s always shocked.

You see celebrities as they dress plenty of times. Who has the better chest and buns Nas, Jay Z, T.I. or Idris? (Laughs)

Philidor: Is that a rhetorical question? (Smiles) come on you know the answer to that! All my clients have great physical attributes, but I would have to give that prize to Idris!

Quassan Castro is a news and entertainment journalist.

Click link below for article as it appears in Jet Magazine. 


R&B Divas Recap – Season 2 Ep. 2

May 10, 2013  
By// Quassan Castro
Faith gets Syleena’s take on her most recent argument with Nicci. In case you missed it, Syleena got so annoyed with Nicci at a women’s gathering at her house, that she kicked Nicci out. Both women are childish.

Neo Soul/R&B Diva, Angie Stone arrives to Atlanta with southern drawl in tact and breast milk handy for the needy divas. “I’ve been in the music business for over thirty years,” Angie says to the divas. It’s her attempt to warn the women she’s the head DIVA in charge. I flash back thirty years ago to scan my life for an Angie Stone. Let’s see, I was a resident at 58 Lafayette Street, overdosing on my grandmother’s buttered tortillas, lit a few matches or two. New Edition was popular. Prince was popular. No sign of Angie Stone. Wait actually, Angie was a member of a group called, “The Sequence” in the early eighties.

At Angie’s intro meet and greet, she encourages the ladies to let go of the petty disagreements and unite as women. The direct speech from Angie, immediately makes Keke feel convicted as she retorts, “I feel like you’re speaking to me.” Angie replies, “I’m speaking to everyone!” The meet and greet with Angie stirs up raw emotion amongst the women. Angie takes out her bad girl repellent juice, walks around the room and blesses each divas forehead. Syleena’s not impressed, the potential tour is what she desires. Something foreign jumps out of Monifah during the exorcism. She slams Syleena and Nicci for their consistent bickering. A plea for each lady to work on herself is the message from Monifah. Prayer becomes the remedy followed by another catty feud.

Hair pinned up diva-style, Nicci pays her girl Monifah a visit. The visit is prompted by Monifah’s urging the women to deeply reflect within themselves in order to heal. Nicci believes a friend of her enemy is an enemy to her. During her visit with Monifah, Nicci dubs Monifah as an Iyanla Vanzant knock-off. Nicci tells Monifah she’s not violent but teeth on the floor would be the solution to disrespect towards her. A toast to 90’s diva hood is the more viable solution at the end on the conversation.

Meanwhile back at the ranch, Latocha and Keke get to know one another on a day of fabulous shopping. Both women have husbands whom also manage their careers. Latocha is married to Rocky Bivens. Rocky was Xscape’s manager back in the day. Turning the manager switch off can be a challenge, Latocha tells Keke, as it relates to being married to her manager. Keke says she turns the manager switch off by asking her husband Michael to shut up. Latocha darts a signature blank stare at Keke.

Sister Angie decides to hold a luncheon with the divas. This time around she doesn’t want to hear a rat piss on carpet. All are in compliance except for the nutty Keke. A glass of wine is on Keke’s mind. She orders her glass of expensive wine in the middle of Angie’s sermon. Angie rises out of her chair and finds the, “daw.” Keke reminds the ladies her mama lives in Kentucky not within Angie Stone. Moments later Keke goes on a diva tirade, calling forth her inner stereotypical gay man and says, “honeychilebooboogirlgokillyourself.” The best line throughout the entire show. Unfortunately the show ends with Keke calling the accomplished Angie, an “ old bitch.”

Click link to read via Jet. 

http://jetmag.com/blogs/rb-divas-recap-season-2-ep-2/